You mix the episode. Vorker ships the rest.

Vorker runs the weekly loop around client episodes: show notes, titles, social clips, delivery emails and guest prep, drafted while you edit. You approve everything.

A producer at a small studio desk adjusting a fader while a broadcast microphone hangs in the foreground

FAQ

Will it send anything to a client without me seeing it?

No. Every episode package, guest email, invoice and prep note is drafted and then waits for you. You read it, edit it, reject it, or approve it. Nothing outbound moves on its own.

Does it do the actual episode edit?

The main edit and the mix stay yours, that is the craft clients pay you for. Vorker cuts the social clips from your finished episode, drafts everything written around it, and runs the schedule. You review instead of write.

Can it really write show notes that sound like the show?

It drafts from the recording itself and learns the show’s voice from the episodes you have already published. Treat the first drafts as a junior producer’s pass you tighten. That is still much faster than a blank page after a three-hour edit.

How does the weekly loop actually run?

You set the rhythm once: when guests get prepped, when packages are due, when the invoice goes. Vorker triggers on the schedule, drafts each piece, and holds everything for your approval. The loop runs, you press the buttons.

We are two producers with six shows. Is this overkill?

That is the size it is built for. Six shows means six weekly packages, six guest pipelines and six retainers. Vorker is made for studios where the producers are also the project managers and the bookkeepers.

Do I have to learn a new system?

No. You brief Vorker the way you would brief a junior producer, by typing or talking, and it works inside your email, files and calendar. Packages and invoices arrive as ordinary files on your paper.