You make the film. Vorker minds the rights.
Vorker handles the admin around your films: quotes with usage rights spelled out, vertical cuts from your master, delivery emails, invoices and licence renewals. You approve everything.
FAQ
Does it touch my edit?
Not your creative edit. Your master stays yours: the cut, the grade, the sound. What Vorker does is cut delivery versions from the finished master, vertical crops and shorter lengths, and every version is held for your approval before anyone sees it.
How do the usage licences actually work?
Every quote and delivery carries its licence terms, and Vorker tracks the dates per client. Thirty days before one expires it drafts the renewal offer and holds it for your approval, so the film stops quietly running for free.
Will it email a client without me seeing it?
No. Every quote, delivery email, invoice and renewal is drafted and then waits for you. You read it, edit it, reject it, or approve it. Nothing outbound moves on its own.
Can it really price a production?
It drafts from your day rates, your edit rates and how you quoted similar films before, licence included, and it gets closer the more you use it. Treat the first draft as a producer’s pass you adjust.
I am a one-person production company. Is this overkill?
One-person companies get the most out of it, because there is nobody else to hand the paperwork to. Vorker is built for businesses of one to five people, not for production houses with a producer on staff.
Do I have to learn a new system?
No. You brief Vorker the way you would brief a producer, by typing or talking, and it works inside your email, calendar and accounting. Quotes and invoices arrive as ordinary PDFs on your paper.