You make the pictures. Vorker makes the paperwork.

Vorker handles the admin around your shoots: quotes, shot lists, delivery emails, invoices and usage licence renewals. It never touches your images. You approve everything.

A photographer adjusting a softbox over a styled furniture set in a daylight studio

FAQ

Does it touch my images?

No. Vorker never opens your raw files, your selects or your retouching. It runs the admin around the work: the quote, the shot list, the delivery email, the invoice, the licence dates. The edit stays yours, entirely.

Will it email a client without me seeing it?

No. Every quote, delivery email, invoice and renewal is drafted and then waits for you. You read it, edit it, reject it, or approve it. Nothing outbound moves on its own.

Can it really price a shoot?

It drafts from your day rates, your retouching rates and how you quoted similar shoots before, and it gets closer the more you use it. Treat the first draft as a producer’s pass you adjust. That is still much faster than a blank page at midnight.

How do the licence renewals work?

Every delivery carries its licence terms, and Vorker tracks the dates per client. Thirty days before one expires it drafts the renewal offer and holds it for your approval, so the money stops quietly leaking.

I am a one-person studio. Is this overkill?

One-person studios get the most out of it, because there is nobody else to hand the paperwork to. Vorker is built for businesses of one to five people, not for agencies with a production office.

Do I have to learn a new system?

No. You brief Vorker the way you would brief an assistant, by typing or talking, and it works inside your email, calendar and accounting. Quotes and invoices arrive as ordinary PDFs on your paper.